Has It Been That Long Already?
Yep, it’s been that long… it actually has been five years since I started blogging (this site started in 2007, and I apparently miscalculated last year… fuck it!) Time to update the annual list of what I’ve been through since I started blogging:
Two webhosts (only one of which I recommend, Bluehost)
Four laptops (Don’t get me started…)
Three iPods (I finally upgraded to a 120GB model!)
One iPad
Morning Musume and AKB48 both making their American concert debuts – and way fucking overdue to return to these shores on a regular basis… no excuses, please, just book the dates and get on the plane! And yes, I know AKB were just in DC last week…
Twenty-one Morning Musume singles
Nineteen (soon to be twenty) personnel changes in Morning Musume
Two personnel changes in C-ute
No personnel changes in Berryz Koubou
More personnel changes in AKB48 than anyone can keep up with… (and I’m not even going to bother trying to anymore!)
Seven and a half Morning Musume albums (the “half album” being the 7.5 Fuyu Fuyu EP)
Twenty-one Berryz Koubou singles
Five and a half Berryz Koubou studio albums (the “half album” being their misnumbered (3) Natsu Natsu Mini Berryz)
Eighteen C-ute singles (all of their major-label releases)
Six and a half C-ute albums (I still consider 2 mini ~Ikiru to Iu Chikara~ to be an EP)
Seven Koda Kumi studio albums (I lost track of compilations and singles!)
Four Ayumi Hamasaki albums (Go ahead and yell at me, Vee…)
Two albums and three EPs from Maki Goto
Three albums, two EPs, one best-of, and four guitar tab books from SCANDAL
Three post-Whiteberry EPs from bands led by Yuki Maeda (One Yukki, two The Husky)
Nine Stooges albums (two of those being the remastered editions of their Elektra albums, another being a 180-gram pressing of Raw Power, and counting 2010’s 2CD and four-disc deluxe reissue of the original Bowie mix of Raw Power and the Raw Power Live album released last Record Store Day)
The entire Koharu Kusumi solo discography
The entire Buono! discography to date
The entire AKB48 singles discography to date
Six New York Dolls albums (three of those being vinyl editions of the first three studio albums)
Eight Puffy AmiYumi albums
Five Mission of Burma albums (and a new one on the way)
Three Panic! At The Disco albums
Three Meat Puppets albums
Three Cannibal Corpse albums and two DVDs
Three Deicide albums
Five Hank III albums (counting the Assjack album and the overdue legit release of the This Ain’t Country sessions as Hellbilly Joker) – and Hank III finally getting to say “fuck off” to Mike Curb.
Two copies of Flyleaf’s first album (one autographed)
Three autographed Sick Puppies CDs
One guitar autographed by Iggy Pop and the Asheton Brothers
One Asheton brother being transferred from the Stooges to Rock N’ Roll Heaven’s Helluva Band (I’m sure Ron is trading Mike Watt stories with D. Boon!)
James Williamson rejoining the Stooges
The Stooges finally making the Rock And Roll Hall of Fame (Next targets: The New York Dolls, Black Flag, and The Minutemen… and that’s a fucking vow and a promise from me!)
Lux Interior being transferred from the Cramps to Rock N’ Roll Heaven’s Helluva Band
Captain Beefheart succumbing to Multiple Sclerosis after several years… and the original version of Bat Chain Puller finally being released by the Zappa Family Trust a year later!
A Sex Pistols reunion
A Public Image Ltd. reunion
Malcolm McLaren, the former Sex Pistols “mis-manager” dying of cancer… followed by Johnny Rotten NOT singing “Celebration” or “Ding Dong The Witch Is Dead” (good on ya, Johnny…)
A fIREHOSE reunion (!!)
Seven books autographed by Henry Rollins
One book autographed by Sen. Arlen Specter
Three e-mails from Henry Rollins
Two e-mails from Jello Biafra
Three day trips to New York where I spent over $700 combined in one store (Virgin Megastore) alone
One day trip to New York where I didn’t spend any money in any record stores (Virgin Mega closed two years prior!)
Four visits to Apple Stores where I spent $0 (and wish I had been able to spend several times what I spent at Virgin)
One visit to an Apple Store where I finally bought something (my iPad!)
Six day trips to Philadelphia
Three day trips to Syracuse, NY
One Stooges concert
One Bon Jovi concert (goddamn motherfucking fuck!)
Two Flyleaf concerts
Two Evanescence concerts
Two Sick Puppies concerts
Two 3 Doors Down concerts (Which makes four times I’ve seen my fiancee’s favorite band, versus zero times I’ve seen my favorite band… that’s gotta be corrected quick-fast)
Two opening sets prior to 3DD by Hinder (Most boring band not named Nickelback or Daughtry, by a long shot)
Two Breaking Benjamin concerts (and unfortunately, although they played well as always, the sound at the second sucked! What was up with that, Ben?)
One Michael Angelo Batio personal appearance
One missed Puffy AmiYumi concert (goddamn motherfucking fuck!)
One missed Morning Musume concert (yes, that concert!!)
One missed Mike Watt & The Missingmen concert (which I made up for on April 2, 2011!)
Six 100-count spindles of CD-R’s
Two Palm Treo 680 smartphones
Three Blackberry smartphones (never again!)
One iPhone
Four SD cards
Three phonograph needles (I’ll be needing a fourth soon.)
Morning Musume CDs finally being released in the United States (until a certain “label” dropped the ball… REAL indie labels like Matador and Merge, the opportunity is now…)
Ten WordPress themes
Seven domain names (on top of the previously mentioned ones, there’s TGML’s URL, the one for the Meetan blog, and a second one for the Reina blog)
Two different Reina Tanaka/Robert Fripp header graphics at MotokoAoyama.com (Vee improved on the original)
Ai Kago finally making a comeback… then blowing it… then joining her fellow ex-W in the world of MILFdom.
One W album that’s gone the way of the original version of SMiLE
The original version of SMiLE going the opposite direction of W3: Faithful (and in a big way… five CDs PLUS double vinyl and two 45s? Got it!)
One Guns N’ Roses album finally being finished, handed in, and released!
Ace Frehley beating his ex-bandmates to record stores with new material… and not having to sell out to Wal-Mart to do it!
Four of the many Mike Watt-related albums that were recorded during this blog’s and its predecessor’s lifetime finally seeing release… and getting sneak previews of a couple of them from the man himself the day before hypenated-man came out!
Two animes with Reina Tanaka doing voice work
The return of most of my favorite O.G. MoMusus
Three knocked-up MoMusus
Two instances where I bitched about Nozomi Tsuji getting knocked up
Three instances where I remarked about what a lucky bastard Taiyo Sugiura is
Three snarky remarks made by me about Avril Lavgine
One snarky remark made by “Reina” about Jamie Lynn Spears
One snarky remark made by me to “Reina” about Beyonce Knowles
Countless snarky remarks about American Idle
More American Idle contestants losing their recording contracts
Five Reina Tanaka photobooks… and a sixth finally on the way!
Two tires
Three illnesses
Three NaNoWriMo wins
Three book projects (two simultaneous, one on hold)
One published short story (”The Man In The Hummer” in Deliver Us From Evil, available from Jaded Silence Press)
One novel coming out on my own book label next month!
All four versions of American Wota
All three versions of International Wota
No getting the Sunn O)))-themed IW 4.0
One nomination at the IntlWota Awards
The debut of IdolMinded
Two jokes stolen from Jeff Dunham
One joke stolen from Nothing Nice To Say
Three times I got under the skin of Tony Brummel at Victory Records… that I know of. (Might as well make it four: How does it feel to lose Silverstein AND Bayside on top of Hawthorne Heights and Atreyu, baldy? I hear Aiden’s next…)
Seven (or was it eight by now?) times my partner at My Sweet Meetan, Chris (CK) went to Japan
Reina Tanaka’s 18th birthday
Reina Tanaka’s 19th birthday
Reina Tanaka’s 20th birthday
Reina Tanaka’s 21st birthday
Reina Tanaka’s 22nd birthday
My 40th birthday… I stopped counting after that.
Mike Watt’s 50th birthday… and counting
Iggy Pop’s 60th birthday… and counting – face it, he’s one unstoppable motherfucker, for which we should all be grateful.
Several boxes of CD sleeves
Countless mouse and camera batteries
Five new electric guitars, all named after J-pop idols
Five effect pedals (two formerly owned by essential brother/up and coming guitar shredder/fellow MoMusu fan Maxxxwell Carlisle!)
Several packs of Ernie Ball Slinky guitar strings… and then I wised up late last year and switched to D’Addario .10′s, except for the Dean MAB3 I named after Erena Ono which will still get .09s!
A year and a half of experimentation with different kinds of guitar picks before I finally settled on 1.50mm Dunlop Tortex Sharps (heavy and pointy is best, it seems… – I could probably do a whole blog post on that subject!)
Countless VitaminWaters
Countless instances where I took to heart David Peel’s adage that “fuck” is not a dirty word
A year and a half of lost blog archives (Don’t trust your webhosting to anyone who stage-names himself “Vikki Stixx”… or for that matter your real estate matters)
Not enough trips to Starbucks or Sonic (yeah, N.E. PA got one of those in 2008!)
Two coffee pots
One K-Cup machine (about fucking time I got one of those… the aforementioned second coffee pot is now on reserve duty)
More money spent at CDJapan than at Gallery of Sound
Not as much money spent on vinyl since 2008, at least I don’t think so… but then again I’ve still taken that option whenever offered)
Virgin Megastore going out of business in 2009
Five Record Store Days (counting the forthcoming one this Saturday, which I’ll be honoring)
And one girlfriend, since upgraded to fiancée and then to wife on 6.26.10
JAPAN EARTHQUAKE 3.11.11: Your Favorite Artists And Their Status
The following is a list of artists in Japan and their known condition since the earthquake. The list will be updated throughout the day.
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JapanFiles Drops The Ball
JapanFiles.com sent a newsletter notice this morning to their customers, stating that they were “suspend[ing] digital sales of some of the major label artists in our digital store” after September 30. The list of those major label artists the entire Up-Front Works roster (Morning Musume, Hangry and Angry, Berryz Koubou, ?C-ute, S/Mileage) as well as J-Rock artists like Giguramesh and LM.C.
Surely, Western fans of Japanese music have to be looking at JapanFiles like this right about now:
JapanFiles had been distributing much of the Up-Front Works catalog both digitally and as select physical CD releases since November of 2008, starting with the debut EP of ex-MoMusu members Hitomi Yoshizawa and Rika Ishikawa’s J-Rock/goth/electropop duo Hangry and Angry. Morning Musume got three releases – their past two studio albums Platinum 9 Disc and 10 MY ME and their summer 2009 single “Shouganai Yume Oibito” – the single release tying in their their overdue debut American performance promoted by Anime Expo in Los Angeles – out of the deal, and a few other select artists were getting physical CDs pressed in the US as well.
Unfortunately, JapanFiles did a lot of ball-dropping and other mucked plays in their otherwise sincere efforts to make J-music more easily available. Distribution – a big key in that availability – was the biggest factor. Not counting the label’s own site, JapanFiles’s physical CD releases were available only at Hot Topic here in the States. No other retail store in the country – unless they made a few special orders right through the website – carried the releases in store, and none of the other online retailers one would go through to buy a CD had any of JapanFiles’s licensed titles in stock.
Some of the same titles were also coming up as downloads on the US iTunes store, but JapanFiles in general was basically claiming that their own website was the exclusive, go-to place for getting their digital releases.
Which brings up the big kvetch: The artists and their fans deserve better service than that.
Devoted fans might know to go direct to someone like JapanFiles for their downloads, just like they know they could order just about any Japanese CD release from CDJapan, YesAsia, or the Japanese sites of Amazon and HMV – but when it comes to expanding that audience, JapanFiles didn’t even seem to bother. JapanFiles basically suffered from a strain of the same tunnel-vision-like affliction that proved fatal to Tofu Records, who had gone through the whole rigmarole of boasting easier availability of Japanese recordings – Puffy AmiYumi being the biggest act on their roster – but had idiotically focused distribution and product placement (no one outside of the anime department at Suncoast Video seemed to carry Tofu titles; Puffy’s only release through Tofu, Splurge, was nowhere to be found when this writer was at Virgin Mega’s Times Square store in 2006, although their previous Bar-None and Epic releases and the import edition of Splurge were.)
I’ve said this before in past columns, and this bears repeating. “Making Japanese releases more available in the US and elsewhere” is not supposed to mean “Let’s just press a small bunch of CDs and only sell them where the nerds will find them.” Here’s where it really should mean, using the Up-Front roster as examples:
Step One: Get Morning Musume and their stablemates signed to a REAL label – preferably a large independent label like Merge or Matador, or a major label devoted to making career artists, like Octone or Wind-Up. Labels like these will have the promotional clout and the distribution reach that acts like Morning Musume deserve, and they won’t just throw them against the wall like most major labels seem to do in the hope that they’ll stick. They’ll also have a bigger target audience than the JapanFiles/Tofu “let’s target the wota” approach. Someone that already listens to Morning Musume doesn’t listen to most Top 40 pop artists (save for acts like Lady Gaga) – more than likely, they’re listening to alternative and indie rock acts like… well, what a coincidence, the ones signed to labels like (surprise, motherfuckers!) Merge, Matador, Octone, and Wind-Up.
Remember how I said a few paragraphs ago that the artists and fans that JapanFiles seems to be kicking to the curb deserve better? That “better” means making the releases widely available. Widely available means record stores everywhere – chains like FYE, independent record stores (they’re still around) like my beloved Gallery of Sound, big-box stores like Best Buy and Target, online shops like Amazon and CD Universe. Widely available also means digital downloads available in all of the major outlets we know of – not just iTunes but AmazonMP3 (which seems to be seeing iTunes’s taillights at this point insofar as competitive pricing and selection), Rhapsody, eMusic, Napster, and so forth.
Just ask Dir en grey. After a good, yet short-lived, association with Warcon here in the States, they found a more receptive American label home with The End Records, a label devoted to the kind of hard rock DEG writes and records that is well aware that their general target audience already has a large slew of fans who were buying their imports (and the Warcon US rereleases) as well as fans who might have heard of them and wanted to know what the fuss was about – and they’ve been on a serious roll ever since.
Just ask Shonen Knife, who has the most devoted American label in their career – seemingly, EVER – with GooGoo Dolls bassist Robby Takac’s indie label Good Charamel Records, who have already released their three most recent albums here in the States and has regularly brought the band on tour here twice in the space of two years.
Music fans are a somewhat peculiar bunch. We tend to like options. A lot of options. And not just CD, mp3 or vinyl, but where we can get those.
Music fans also like to browse. A devoted Morning Musume fan already knows when they’re going to put records out, and where to get them. A more casual music fan that likes to roam the racks of their favorite store or stalk the appropriate areas of their iTunes Store app for something different to jam to isn’t going to know Morning Musume can be easily had (without breaking copyright laws) unless they have a friend or relative that is already a devoted fan.
Labels like JapanFiles and Tofu are always going to shoot themselves in the foot – or elsewhere – if they keep operating in such a manner.
Happy 4th!
Fourth Blogging Anniversary, that is…
I almost forgot to post something today, but I have a good excuse: Today was also my fiancee’s bridal shower, and guess who had to schlep gifts back and forth in his car? Yep…
I should note that for the past few weeks I’ve been – on top of planning towards the wedding and subsequent move into mine and my wife-to-be’s new apartment – finishing up the novel (yeah, still… but then again if I didn’t have to hold a day job it would have been finished already), working on a screenplay for Script Frenzy, working on a couple of reviews for this blog (they’ll be up this week), and working on my guitar.
And last night, boy, did I work on my guitar… I got this thing (Epiphone Les Paul) a few months ago, but I never changed the strings until last night. Such was my Saturday night:
And to keep things J-pop related, here’s another part of what helped keep me sane, especially today:
Besides, I couldn’t figure how to equal or better the live MoMusu and Stooges clips from last year! But what I can do is (even though I didn’t get this finished until after midnight when the 11th became the 12th) update a list I posted two years ago on my second blogging anniversary at MotokoAoyama.com, which would make this “A List That Took Four Years To Make”:
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It’s Poll Time Once Again (With A Few Random Thoughts To Go With It)
Paul Thomas and his mad coding skills have struck again, and of course, I had to, had to take the poll, which this year came as a two-parter – one for individual members and one for groups. Some of the results as I filled them out should be of no surprise, others should not:
My fandom hasn’t changed very much. Reina is still on top for me, Takitty is right behind, but for whatever reason JunJun and LinLin have moved up in the ranks. Much of this ranking of individuals from #3 on down could change from day to day, though, so this is just what I was feeling tonight.
The group fandom was less hard to figure out. Morning Musume are still my favorite band, Buono! still rock, and I still like Berryz and C-ute even though I still can’t recognize some of the members on sight (obviously picking Miyabi, Momoko and Airi out thanks to their Buono! work isn’t hard, and I can recognize Risako and Chinami, but that’s about it at the moment) and C-ute’s new album hasn’t completely grabbed me yet like 10 My Me and We Are Buono! did.
I try never to let a day go by without playing some MoMusu music, no matter how many other musical mood swings I go through from day to day and week to week (In one example, for whatever reason, I went on quite the Minutemen/fIREHOSE jag the past week, as my last.fm page will attest). But, my listening habits have always been that way and that’s not likely to change, ever.
The bottom rows of both polls stayed the way they were from how Paul organized the default selections for a good reason: Erina Mano’s music hasn’t exactly grabbed me, and I’ve never listened to Guardians 4 or S/mileage so I can’t comment on them.
Other than that, I get married in 89 days (yikes – time’s flyin’!), which means that as that day looms forward I need my favorite band and their compatriots to keep me sane. That also means I have to cram in a lot of activity on here before then… and then cram in some more after the nuptials.
Survey Says…
Paul at Hello!Blog has done it again with his annual desire to combine his love of Hello! Project with some mad coding skills. This time around, the survey incorporates all of Hello! Project, including the Elder Club, making for what should be some rather interesting results. Here’s the “tall” version of my survey graphic (the long version I’m going to use as the basis for a future header).
Now I get to explain myself again… Continue reading
