I almost forgot to post something today, but I have a good excuse: Today was also my fiancee’s bridal shower, and guess who had to schlep gifts back and forth in his car? Yep…

I should note that for the past few weeks I’ve been – on top of planning towards the wedding and subsequent move into mine and my wife-to-be’s new apartment – finishing up the novel (yeah, still… but then again if I didn’t have to hold a day job it would have been finished already), working on a screenplay for Script Frenzy, working on a couple of reviews for this blog (they’ll be up this week), and working on my guitar.

And last night, boy, did I work on my guitar… I got this thing (Epiphone Les Paul) a few months ago, but I never changed the strings until last night. Such was my Saturday night:

And to keep things J-pop related, here’s another part of what helped keep me sane, especially today:

Besides, I couldn’t figure how to equal or better the live MoMusu and Stooges clips from last year! But what I can do is (even though I didn’t get this finished until after midnight when the 11th became the 12th) update a list I posted two years ago on my second blogging anniversary at MotokoAoyama.com, which would make this “A List That Took Four Years To Make”:

Two webhosts (only one of which I recommend, Bluehost)
Four laptops (Don’t get me started…)
Two iPods (and I’m planning on finally upgrading soon… I have more music on my hard drive than can fit on my present 60GB model!)
Morning Musume and AKB48 both making their American concert debuts (come back here, both, er, ALL of you!!)
Thirteen Morning Musume singles
Eight personnel changes in Morning Musume
Two personnel changes in C-ute
No personnel changes in Berryz Koubou
More personnel changes in AKB48 than anyone can keep up with… (and don’t even get any serious AKB fan started on those team reassignments!)
Six and a half Morning Musume albums (the “half album” being the 7.5 Fuyu Fuyu EP)
Twelve Berryz Koubou singles (double the amount from two years ago!)
Three and a half Berryz Koubou studio albums (the “half album” being their misnumbered (3) Natsu Natsu Mini Berryz)
Eleven C-ute singles (all of their major-label releases)
Four and a half C-ute albums (I still consider ? mini ~Ikiru to Iu Chikara~ to be an EP)
Four Koda Kumi studio albums (I lost track of compilations and singles!)
Two Ayumi Hamasaki albums (Go ahead and yell at me, Vee…)
One and a half Maki Goto albums (That first one for Avex is pretty much an EP…)
One and a half SCANDAL albums (Again, the half-album is an EP…)
Three post-Whiteberry EPs from bands led by Yuki Maeda (One Yukki, two The Husky)
Seven Stooges albums (two of those being the remastered editions of their Elektra albums, another being a 180-gram pressing of Raw Power, and counting the forthcoming deluxe reissue of the original Bowie mix of Raw Power)
The entire Koharu Kusumi solo discography
The entire Buono! discography to date
The entire AKB48 singles discography to date
Five New York Dolls albums (three of those being vinyl editions of all three studio albums)
Seven Puffy AmiYumi albums
Five Mission of Burma albums (three of them being the new vinyl reissues on Matador)
Two Panic! At The Disco albums
Two Meat Puppets albums
Four Hank III albums (counting the Assjack album and his forthcoming The Rebel Within, of course)
Two copies of Flyleaf’s first album (one autographed)
Three autographed Sick Puppies CDs
One guitar autographed by Iggy Pop and the Asheton Brothers
One Asheton brother being transferred from the Stooges to Rock N’ Roll Heaven’s Helluva Band (I’m sure Ron is trading Mike Watt stories with D. Boon!)
James Williamson rejoining the Stooges
The Stooges finally making the Rock And Roll Hall of Fame (Next targets: The New York Dolls, Black Flag, and The Minutemen… and that’s a fucking vow and a promise from me!)
Lux Interior being transferred from the Cramps to Rock N’ Roll Heaven’s Helluva Band
A Sex Pistols reunion
A Public Image Ltd. reunion
Malcolm McLaren, the former Sex Pistols “mis-manager” dying of cancer… followed by Johnny Rotten NOT singing “Celebration” or “Ding Dong The Witch Is Dead” (good on ya, Johnny…)
Seven books autographed by Henry Rollins
One book autographed by Sen. Arlen Specter
Three e-mails from Henry Rollins
Two e-mails from Jello Biafra
Three day trips to New York where I spent over $700 combined in one store (Virgin Megastore) alone
Four visits to Apple Stores where I spent $0 (and wish I had been able to spend several times what I spent at Virgin)
Five day trips to Philadelphia
Two day trips to Syracuse, NY
One Stooges concert
One Bon Jovi concert (goddamn motherfucking fuck!)
Two Flyleaf concerts
Two Evanescence concerts
Two Sick Puppies concerts
Two 3 Doors Down concerts (Which makes four times I’ve seen my fiancee’s favorite band, versus zero times I’ve seen my favorite band… that’s gotta be corrected quick-fast)
Two opening sets prior to 3DD by Hinder (Most boring band not named Nickelback or Daughtry, by a long shot)
Two Breaking Benjamin concerts (and unfortunately, although they played well as always, the sound at the second sucked! What was up with that, Ben?)
One missed Puffy AmiYumi concert (goddamn motherfucking fuck!)
One missed Morning Musume concert (yes, that concert!!)
One missed Mike Watt & The Secondmen concert (sorry, Mike… still!!!)
Four 100-count spindles of CD-R’s
Two Palm Treo 680 smartphones
Three Blackberry smartphones (no, I’m not getting an iPhone)
Four SD cards
Three phonograph needles
Morning Musume CDs finally being released in the United States (the flipside… well, I’ll get to that soon enough…)
Nine WordPress themes
Seven domain names (on top of the previously mentioned ones, there’s TGML’s URL, the one for the Meetan blog, and a second one for the Reina blog)
Two different Reina Tanaka/Robert Fripp header graphics at MotokoAoyama.com (Vee improved on the original)
Ai Kago finally making a comeback
One W album that’s gone the way of the original version of SMiLE
One Guns N’ Roses album finally being finished, handed in, and released!
Ace Frehley beating his ex-bandmates to record stores with new material… and not having to sell out to Wal-Mart to do it!
Six Mike Watt-related albums recorded during this blog’s and its predecessor’s lifetime waiting mixdown or release
Two animes with Reina Tanaka doing voice work
Two knocked-up MoMusus
Two instances where I bitched about Nozomi Tsuji getting knocked up
Three instances where I remarked about what a lucky bastard Taiyo Sugiura is
Three snarky remarks made by me about Avril Lavgine
One snarky remark made by “Reina” about Jamie Lynn Spears
One snarky remark made by me to “Reina” about Beyonce Knowles
Countless snarky remarks about American Idle
More American Idle contestants losing their recording contracts
Five Reina Tanaka photobooks
One tire
Two illnesses
Two back-to-back NaNoWriMo wins
Three book projects (two simultaneous, one on hold)
One published short story (”The Man In The Hummer” in Deliver Us From Evil, available from Jaded Silence Press)
All four versions of American Wota
One nomination at the IntlWota Awards
Two jokes stolen from Jeff Dunham
One joke stolen from Nothing Nice To Say
Three times I got under the skin of Tony Brummel at Victory Records… that I know of. (Might as well make it four: How does it feel to lose Silverstein AND Bayside on top of Hawthorne Heights and Atreyu, baldy? I hear Aiden’s next…)
Five times my partner at My Sweet Meetan, Chris (CK) went to Japan
Reina Tanaka’s 18th birthday
Reina Tanaka’s 19th birthday
Reina Tanaka’s 20th birthday
My 40th birthday… I stopped counting after that.
Mike Watt’s 50th birthday… and counting
Iggy Pop’s 60th birthday… and counting – face it, he’s one unstoppable motherfucker, for which we should all be grateful.
Several boxes of CD sleeves
Countless mouse and camera batteries
Countless VitaminWaters
Countless instances where I took to heart David Peel’s adage that “fuck” is not a dirty word
A year and a half of lost blog archives (Don’t trust your webhosting to anyone who stage-names himself “Vikki Stixx”… or for that matter your real estate matters)
Not enough trips to Starbucks or Sonic (yeah, N.E. PA got one of those last summer!)
More money spent at CDJapan than at Gallery of Sound
Not as much money spent on vinyl since 2008, at least I don’t think so… but then again I’ve still taken that option whenever offered)
Virgin Megastore going out of business in 2009
Three Record Store Days (counting the forthcoming one this Saturday, which I’ll be honoring)
And one girlfriend, since upgraded to fiancée and soon to be upgraded to wife on 6.26.10

Obviously, my intake of Japanese CD’s has continued at a steady rate this year – loyal grabbings of Morning Musume/Hello! Project releases, Koda Kumi’s most recent album and singles, EPs by The Husky and SCANDAL, the best-of anthology from The Possible, Mai Kuraki’s newest effort, and some initial forays into the world of AKB48 (which is going to be an article in and of itself soon) all come to mind. My interest in enka has also taken a turn towards mostly digital works (both CD and legal downloads – another reason to keep the account balance up on my Japanese iTunes account), which is a good thing.

Then I tried to think back to what non-Japanese CDs I’d bought this year. That was harder, as I tried to recall what was the last non-J-Pop CD I bought.

I kept trying to think it was Metallica’s Death Magnetic, given their having Rick Rubin replace Bob Rock and do some music that harkened, if not to their Ride The Lightning/Master of Puppets days, then at least to …And Justice for All. And kept thinking that I was wrong. It’s on my iPod – that much is sure as I went right to AmazonMP3.com for that one. Why am I thinking that the last American CD I bought was Hawthorne Heights’ new release?

I booted up my iTunes and sorted everything by date added, then combed through some rips of old records I did and older CDs that I’d added (for the first time, or added back). OK, research tells me that the last CD I bought was Slipknot’s new album – and then Hawthorne Heights and Black Stone Cherry before that.

Then I took a break from that, decided to fire up the turntable and pull out a few records that I felt like listening to.

While looking for the 4LP heavy-vinyl edition of Radiohead’s Best of album, I came across Metallica’s Death Magnetic. Yeah, I did buy it – on double vinyl. (No, I wasn’t going to spend over $100 on what is nothing more than five 45RPM singles in a fancy black box – nor did I like the idea of getting up and flipping sides for every song.)

That’s when I realized that a lot of the new non-J-Pop albums I’d bought this past year weren’t on CD. Elvis Costello’s Momofuku? Double 180-gram vinyl. Conor Oberst’s solo album? Vinyl. Nine Inch Nails’ The Slip when the opportunity came to buy a physical edition? Vinyl. Coldplay’s Viva la Vida or Death to All our Friends? Vinyl. New Alkaline Trio vinyl? Vinyl. Tokyo Police Club’s Elephant Shell? Vinyl. Against Me’s New Wave? 180-gram clear yellow vinyl (talk about pleasing both pro-analog audiophiles AND collectors!). Even some new reissues and compilations haven’t escaped the opportunity to pick the vinyl option – Morrissey’s Greatest Hits, the remastered third U2 album War, another Coldplay album (X&Y – a Vee recommendation, BTW), Mission of Burma’s Ace of Hearts-era releases… you get the picture.

Yep, my buying habits have taken that odd turn where my owning a nice Numark TTUSB turntable has led me to looking to see if forthcoming new releases will be coming out in vinyl editions. Hank Williams III’s follow-up to Straight to Hell is going to come out on double vinyl with a bonus CD next week. AC/DC’s offering their forthcoming new album in double vinyl as well (but I doubt I shall be buying that one, given that the only way American fans will be able to buy the album without pre-ordering it is to go to Wal-Mart). Given that I own a turntable that can plug into my computer with a USB cable, the lack of a bonus CD or a download code is no barrier to my putting the album on the iPod. Dir en grey’s forthcoming new album [UROBROS]? Already pre-ordered the double vinyl from the label.

My turntable has also become quite the bewildering force to my fiancée Tara, who has already patiently seen me pour through the record bins at record stores all over Eastern Pennsylvania and in the Times Square Virgin Megastore looking for vinyl both new and old. On one recent visit to my favorite record store, Tara watched as I paid $20 for a stack of old vinyl records and said to me, “You do realize that it’s 2008, right?” Tara either sees all records as “old” or as a pointless option in the age of CD’s and mp3s. Given the proliferation of new vinyl releases with either download codes or bonus CDs enclosed, that’s really a moot point.

At this point, it should be apparent (and probably be pointed out if it isn’t) that I’m not a format nazi when it comes to buying music. Obviously I’ve bought CDs this year when no vinyl existed, happily used the enclosed bonus CD in certain releases to save me the time of digitizing the album for my iPod, and done my fair share of legal downloads (Ever since Amazonmp3.com started having daily cheap-album specials, I’ve been checking there every day to see what they’re offering.) But it does beg the question: if Morning Musume’s, Kuu-chin’s, Puffy’s, or any other J-Pop artist that I follow were to start putting out heavy vinyl releases, would I buy them?

Yes… but the idea of MoMusu on vinyl is another column, and besides, this one’s finished.

THE HUSKY
Husky
(Chockyu)
Availablilty: CD EP
Rating: 5 out of 5 stars

While the rest of Whiteberry has been, for the most part, idle and out of the limelight since their final concerts in March of 2004, lead singer Yuki Maeda has not. In 2006, with fellow ex-Whiteberry, bassist Yukari Hasegawa briefly in tow, Yuki Madea reemerged on the Japanese independent label Deadgirls with an eponymous CD EP from her first post-Whiteberry band, a four-piece all-female unit dubbed yukki. The existence of the new group was something I wasn’t aware of until Zush at Kakko-ii.com wrote about her new band’s project in late 2006. Thankfully, I got a hold of a copy of the CD in time for it to make my list of the Top Albums Of 2006 on MotokoAoyama.com v1.0. yukki (the band and the EP) found Yuki Maeda not only singing, but playing guitar and writing all of the material. It is a great EP – imagine Whiteberry without the keyboards.

Unfortunately, yukki the band never followed up yukki the EP. Yukari Hasegawa disappeared again (presumably to return to college), and the band continued for several months before quietly disappearing. No one who followed Whiteberry and yukki knew what was up until the group’s homepage presented a link to another site – the homepage for a new band fronted by Ms. Maeda called The Husky.

With their sort-of-eponymous debut CD EP, again an independent release (this time on a label called Chockyu), Yuki Maeda seems to be slowly progressing away from her Whiteberry past. While her distinctive vocals remain, with the existence of The Husky, Yuki Maeda finds herself, for the first time in her professional career, to be the only female member of the group. Joining her in the lineup are former La’cryma Christi drummer Levin and newcomers Yasuaki Miyaji on guitar and Sunao Nakamura on bass and baritone guitar. Like with her previous post-Whiteberry band, Yuki Maeda continues to rely on her own material, having penned all of the songs on the album, save for two songs where her lyrics are set to music composed by Miyaji.

“Story”, the EP’s highlighted track (a PV exists, Yuki’s first since “Shinjiri Chikara” – yukki never made any) opens the proceedings in fine form. Initially, the song retains the Whiteberry-minus-keyboards punk sound from yukki, only to be interrupted first by a baritone guitar riff from Nakamura and then by a tinny acoustic-sounding guitar (actually an unplugged electric recorded with a microphone) initially underpinning Yuki’s vocals before veering back into Whiteberry-style punk.

“Hitori Botsuchi” follows with a slightly slower rock tempo and an arrangement and chord sequence that recalls some of Living Colour’s minor-key material from Time’s Up. Miyavi does some rather interesting guitar work in the recording’s left channel that sounds more like a synthesizer than a guitar, while a creepy-sounding string synthesizer (played by an uncredited keyboardist) intrudes on the song’s atmosphere.

“not control” (the song title isn’t capitalized), one of two songs co-written by Miyaji, takes the band and the EP on a left-field turn by bringing some ZZ Top-meets-George Thorogood blues riffing into the mix for much of the song. A false ending suddenly takes the band into a jazz-rock vein for the song’s coda.

“Tsuchi” keeps the band within blues/classic rock territory by way of Elvis Costello, slowing down the tempo and giving them a 12/8 time signature to contend with. A slightly anarchic Theremin (or at least Miyaji making some Theremin-like sounds with his guitar and effects) interrupts things as the band goes from the song’s B-section to its chorus. The third time the B-section around, Levin changes things around by throwing in some tribal-sounding drumming before shifting back into gear for the final choruses.

“Ime” sounds like its going to veer into early Chili Pepper-esque funk at first, but Levin’s Motown-esque drum beat nips that in the bud, while Yuki’s lead vocal obliterates further Motown comparisons and Miyaji tosses in some modern rock guitar noises for additional texture.

“Mekumori”, the second of the Maeda/Miyaji songwriting collaborations, returns the band to mid-tempo 12/8 time, but with songwriting and playing that sounds both familiar and new at the same time. While not a fast rocker, the song itself is quite anthemic, and allows Miyaji to take flight with a tasteful extended guitar solo.

It’s safe to suggest that The Husky’s EP represents a considerable and major musical progression for Yuki Maeda. The EP allows her to come further out of her old shell, forging a new musical background that compliments her distinctive and instantly recognizable vocals. Hopefully, the next recordings we hear from Yuki Maeda will be a follow-up release from The Husky rather from yet another new band. Unless Whiteberry reunites, of course.

Five out of five stars.