Some time ago, another blog covered by IW (I tried to find the link through IW itself but couldn’t locate it – if anyone knows what entry I’m talking about, let me know and I’ll replace this part of the text with that link) asked about the buying habits of fellow bloggers. Given that over a year ago I wrote an entry on Stuck In A Pagoda v2.0 that pretty much lambasted people who rely primarily on pirated mp3’s for their music, and that I practice what I preach, I started to calculate how my buying habits went for new music this past year.

Obviously, my intake of Japanese CD’s has continued at a steady rate this year – loyal grabbings of Morning Musume/Hello! Project releases, Koda Kumi’s most recent album and singles, EPs by The Husky and SCANDAL, the best-of anthology from The Possible, Mai Kuraki’s newest effort, and some initial forays into the world of AKB48 (which is going to be an article in and of itself soon) all come to mind. My interest in enka has also taken a turn towards mostly digital works (both CD and legal downloads – another reason to keep the account balance up on my Japanese iTunes account), which is a good thing.

Then I tried to think back to what non-Japanese CDs I’d bought this year. That was harder, as I tried to recall what was the last non-J-Pop CD I bought.

I kept trying to think it was Metallica’s Death Magnetic, given their having Rick Rubin replace Bob Rock and do some music that harkened, if not to their Ride The Lightning/Master of Puppets days, then at least to …And Justice for All. And kept thinking that I was wrong. It’s on my iPod – that much is sure as I went right to AmazonMP3.com for that one. Why am I thinking that the last American CD I bought was Hawthorne Heights’ new release?

I booted up my iTunes and sorted everything by date added, then combed through some rips of old records I did and older CDs that I’d added (for the first time, or added back). OK, research tells me that the last CD I bought was Slipknot’s new album – and then Hawthorne Heights and Black Stone Cherry before that.

Then I took a break from that, decided to fire up the turntable and pull out a few records that I felt like listening to.

While looking for the 4LP heavy-vinyl edition of Radiohead’s Best of album, I came across Metallica’s Death Magnetic. Yeah, I did buy it – on double vinyl. (No, I wasn’t going to spend over $100 on what is nothing more than five 45RPM singles in a fancy black box – nor did I like the idea of getting up and flipping sides for every song.)

That’s when I realized that a lot of the new non-J-Pop albums I’d bought this past year weren’t on CD. Elvis Costello’s Momofuku? Double 180-gram vinyl. Conor Oberst’s solo album? Vinyl. Nine Inch Nails’ The Slip when the opportunity came to buy a physical edition? Vinyl. Coldplay’s Viva la Vida or Death to All our Friends? Vinyl. New Alkaline Trio vinyl? Vinyl. Tokyo Police Club’s Elephant Shell? Vinyl. Against Me’s New Wave? 180-gram clear yellow vinyl (talk about pleasing both pro-analog audiophiles AND collectors!). Even some new reissues and compilations haven’t escaped the opportunity to pick the vinyl option – Morrissey’s Greatest Hits, the remastered third U2 album War, another Coldplay album (X&Y – a Vee recommendation, BTW), Mission of Burma’s Ace of Hearts-era releases… you get the picture.

Yep, my buying habits have taken that odd turn where my owning a nice Numark TTUSB turntable has led me to looking to see if forthcoming new releases will be coming out in vinyl editions. Hank Williams III’s follow-up to Straight to Hell is going to come out on double vinyl with a bonus CD next week. AC/DC’s offering their forthcoming new album in double vinyl as well (but I doubt I shall be buying that one, given that the only way American fans will be able to buy the album without pre-ordering it is to go to Wal-Mart). Given that I own a turntable that can plug into my computer with a USB cable, the lack of a bonus CD or a download code is no barrier to my putting the album on the iPod. Dir en grey’s forthcoming new album [UROBROS]? Already pre-ordered the double vinyl from the label.

My turntable has also become quite the bewildering force to my fiancée Tara, who has already patiently seen me pour through the record bins at record stores all over Eastern Pennsylvania and in the Times Square Virgin Megastore looking for vinyl both new and old. On one recent visit to my favorite record store, Tara watched as I paid $20 for a stack of old vinyl records and said to me, “You do realize that it’s 2008, right?” Tara either sees all records as “old” or as a pointless option in the age of CD’s and mp3s. Given the proliferation of new vinyl releases with either download codes or bonus CDs enclosed, that’s really a moot point.

At this point, it should be apparent (and probably be pointed out if it isn’t) that I’m not a format nazi when it comes to buying music. Obviously I’ve bought CDs this year when no vinyl existed, happily used the enclosed bonus CD in certain releases to save me the time of digitizing the album for my iPod, and done my fair share of legal downloads (Ever since Amazonmp3.com started having daily cheap-album specials, I’ve been checking there every day to see what they’re offering.) But it does beg the question: if Morning Musume’s, Kuu-chin’s, Puffy’s, or any other J-Pop artist that I follow were to start putting out heavy vinyl releases, would I buy them?

Yes… but the idea of MoMusu on vinyl is another column, and besides, this one’s finished.

This entry was posted on Tuesday, October 14th, 2008 at 2:16 am and is filed under AKB48, Conor Oberst, Digital Downloads, Dir en grey, Elvis Costello, Enka, Hawthorne Heights, Morning Musume, Puffy AmiYumi, SCANDAL, The Husky. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.